Show simple record

dc.contributor.authorMadanovic, M.
dc.contributor.authorJadresin-Milic, Renata
dc.date.accessioned2020-09-16T22:47:24Z
dc.date.available2020-09-16T22:47:24Z
dc.date.issued2020-06
dc.identifier.issn2042-4752
dc.identifier.urihttps://hdl.handle.net/10652/4982
dc.description.abstractThe paper comprises four parts. Drawing from the definition of critical regionalism presented by Tzonis and Lefaivre in their analysis of Mumford’s work, the first part focuses on Deroko’s interwar writing about architecture. Concisely introducing the intellectual environment that contributed to the development of Deroko’s architectural ideas, it considers the role that the borderline position of the Kingdom of Yugoslavia, perceived as a cultural threshold between the West and the East, played in the shaping of Deroko’s critical regionalist attitudes. In addition to the five points offered by Lefaivre and Tzonis, Deroko’s text helped identify another essential premise of critical regionalism. Critical regionalism conditions design functionality, maintaining that architecture should be developed as a response to the unique conditions of the physical and socio-cultural context. The other three sections move the discussion into the domain of interwar architectural practice. The Hall of Residence for the Orthodox Theological Faculty (1937), The Church of Saint Sava (1926) and Deroko’s holiday house (1939), his three most famous interwar projects, serve as case studies for the implementation of the main points of critical regionalism in his designs.en_NZ
dc.language.isoenen_NZ
dc.publisherUniversity of Birmingham, Englanden_NZ
dc.relation.urihttps://arthistoriography.files.wordpress.com/2020/05/madjanovic_jadresin-milic.pdfen_NZ
dc.rightsThis work is licensed under a Creative Commons AttributionNonCommercial 4.0 International Licenseen_NZ
dc.subjectDeroko, Aleksandar (1894-1988)en_NZ
dc.subjectcritical regionalismen_NZ
dc.subjectarchitectural theoryen_NZ
dc.subjectarchitectural criticismen_NZ
dc.subjectSerbian architectureen_NZ
dc.subjectBalkan architectureen_NZ
dc.titleUncharted architectural theory of critical regionalism in the work of Aleksandar Deroko between the world warsen_NZ
dc.typeJournal Articleen_NZ
dc.date.updated2020-08-05T14:30:12Z
dc.rights.holderAuthorsen_NZ
dc.subject.marsden120103 Architectural History and Theoryen_NZ
dc.identifier.bibliographicCitationMadanovic, M., & Jadresin Milic, R. (2020). Uncharted architectural theory of critical regionalism in the work of Aleksandar Deroko between the world wars. Journal of Art Historiography, 22: Jun20, 22/MRM1.en_NZ
unitec.publication.spage1en_NZ
unitec.publication.lpage22en_NZ
unitec.publication.volumeJuneen_NZ
unitec.publication.issue22en_NZ
unitec.publication.titleJournal of Art Historiographyen_NZ
unitec.peerreviewedyesen_NZ
unitec.identifier.roms65001en_NZ
unitec.publication.placeBirmingham, Englanden_NZ


Files in this item

Thumbnail

This item appears in

Show simple record