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dc.contributor.authorFoote, Hamish
dc.contributor.authorBlanchon, Dan
dc.contributor.authorWaipara, N.
dc.contributor.authorAguilar, Glenn
dc.date.accessioned2018-04-12T21:26:51Z
dc.date.available2018-04-12T21:26:51Z
dc.date.issued2017-12-13
dc.identifier.issn2538-0125
dc.identifier.issn2538-0125
dc.identifier.urihttps://hdl.handle.net/10652/4196
dc.description.abstractNew Zealand has stringent biosecurity measures to prevent and manage the invasion of new organisms, many of which have harmful effects on human health, wealth and culture, or the natural environment. However, public resistance to control methods, or a lack of awareness of the impacts of invasive species, can act to prevent effective management of the risks. Art has a role in promoting conversation and debate about controversial issues. The premise of Alien Nation is to use scientific data and modelling to predict possible future invasion scenarios for selected plant and animal species, and to then use art to depict and explore these scenarios in a way that challenges perception. The first species to be modelled is the Queensland fruit fly (Bractocera tryoni), and its potential interaction with taraire (Beilschmiedia tarairi), a New Zealand native tree species. Modelling shows that there is a high likelihood of the Queensland fruit fly spreading widely in New Zealand and coming into contact with taraire forests. Based on what is already known of the impacts of the Queensland fruit fly on the fruits of a range of species, and of the ecology of taraire, it is likely that the consequences for taraire and its broader ecosystem would be severe. The watercolour painting Fly in the Ointment explores this scenario, a scene that does not and may never exist. The painting requires the viewer to see the impacts of a possible invasion on native biodiversity, an examination through the lens of cultural rather than fiscal currencyen_NZ
dc.language.isoenen_NZ
dc.rightsAlien Nation: Art serving science and science serving art, by Hamish Foote, Dan Blanchon, Nick Waipara and Glenn Aguilar, is licensed under a Creative Commons AttributionNonCommercial 4.0 International License.en_NZ
dc.subjectFly in the Ointment (Watercolour painting)en_NZ
dc.subjectpublic awareness of biosecurityen_NZ
dc.subjectart for biosecurity educationen_NZ
dc.subjectbiosecurityen_NZ
dc.subjectQueensland fruit fly (Bractocera tryoni)en_NZ
dc.subjecttaraire (Beilschmiedia tarairi)en_NZ
dc.subjectNew Zealanden_NZ
dc.subjectinvasive speciesen_NZ
dc.subjectindigenous speciesen_NZ
dc.titleAlien Nation : art serving science and science serving arten_NZ
dc.typeJournal Articleen_NZ
dc.date.updated2017-12-16T13:30:14Z
dc.subject.marsden050202 Conservation and Biodiversityen_NZ
dc.subject.marsden050103 Invasive Species Ecologyen_NZ
dc.subject.marsden190599 Visual Arts and Crafts not elsewhere classified
dc.identifier.bibliographicCitationFoote, H., Blanchon, D., Waipara, N., & Aguilar, G. (2017). Alien Nation: Art serving science and science serving art. Unitec ePress Perspectives in Biosecurity (2017/2), pp.27-37, ISSN: 2422-8494. Retrieved from http://www.unitec.ac.nz/epress 2.en_NZ
unitec.publication.spage27en_NZ
unitec.publication.lpage37en_NZ
unitec.publication.volume2en_NZ
unitec.publication.titlePerspectives in Biosecurityen_NZ
unitec.peerreviewedyesen_NZ
unitec.identifier.roms61043en_NZ
unitec.identifier.roms61065en_NZ
unitec.identifier.roms61048
unitec.relation.epresshttps://www.unitec.ac.nz/epress/index.php/perspectives-in-biosecurity-2/en_NZ


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