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    Chance, change, and making strange : the surprising aesthetics of electronic interaction

    Bardebes, William

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    William Bardebas_2015.pdf (19.47Mb)
    Date
    2013
    Citation:
    Bardebes, W. (2013). Chance, change, and making strange : the surprising aesthetics of electronic interaction. An unpublished exegesis submitted in partial fulfilment of the requirements for the degree of Master of Design by Project, Unitec Institute of Technology, New Zealand.
    Permanent link to Research Bank record:
    https://hdl.handle.net/10652/3125
    Abstract
    This work is an exploration of how randomly generated electronic interaction can be employed to push beyond the sense of instrumentality defined by most domestic electronic experiences. This exegesis recounts a body of heuristic design explorations that attempt to locate new understandings of an intersection between electronic interaction and the poetic. This is underpinned by a reflection on how creative practitioners within fine art and propositional design have applied chance, estrangement and defamiliarization. The result of my gallery based findings has produced a body of work that seeks to explore audio relationships within electronic devices specifically multi user non-instrumental electronic devices. The potential of which is to enable playful collaboration as a means to provoke a sense of digital dreaming. The resultant objects seek to redress the potential divisive wedge of electronic experience and explore the interface as a shared physical experience.
    Keywords:
    device art, art and technology, sound in art, Call and Pull, Birdcube2, chindogu, audio interface
    ANZSRC Field of Research:
    190205 Interactive Media, 190203 Electronic Media Art
    Degree:
    Master of Design
    Supervisors:
    Hedges, Susan; Jowsey, Susan
    Rights:
    This digital work is protected by copyright. It may be consulted by you, provided you comply with the provisions of the Act and the following conditions of use: Any use you make of these documents or images must be for research or private study purposes only, and you may not make them available to any other person. You will recognise the author's and publishers rights and give due acknowledgement where appropriate.
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    • Design and Visual Arts Dissertations and Theses [46]

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