Show simple record

dc.contributor.authorBoyle, Audrey
dc.date.accessioned2015-01-07T02:29:04Z
dc.date.available2015-01-07T02:29:04Z
dc.date.issued2014en_NZ
dc.identifier.urihttps://hdl.handle.net/10652/2520
dc.description.abstractChapter one discusses the role of craft in my art practice, and the strengths and weaknesses of such an approach. The next chapter centres around the idea that art can be a simple process of stripping away the detritus that prevents us from seeing, as a child might see, that all matter, all 'things', are invested with a strange vibrant aura. Chapter three looks at how my practice emphasises process and could be considered as a kind of three-dimensional drawing practice. From here I take a different tack and examine the symbolic importance of knots within my art (and life) before I return in the final chapter to a more conventional examination of the role the body plays within my artwork.en_NZ
dc.language.isoenen_NZ
dc.subjectart installationsen_NZ
dc.subjectsculptureen_NZ
dc.subjectcraft vs arten_NZ
dc.subjectknotsen_NZ
dc.titleThe knot not and the knot nowen_NZ
dc.typeMasters Thesisen_NZ
thesis.degree.nameMaster of Designen_NZ
thesis.degree.levelMastersen_NZ
thesis.degree.grantorUnitec Institute of Technologyen_NZ
dc.subject.marsden190504 Performance and Installation Arten_NZ
dc.subject.marsden190502 Fine Arts (incl. Sculpture and Painting)en_NZ
dc.identifier.bibliographicCitationBoyle, A. (2014) The knot not and the knot now. An unpublished research project submitted in partial fulfilment of the requirements for the Master of Design by Project.en_NZ
unitec.pages141en_NZ
dc.subject.tukutukuKareaomi_NZ
unitec.advisor.principalFerguson, Gina
unitec.advisor.associatedEccleston, Tanya
unitec.advisor.associatedFahey, Richard


Files in this item

Thumbnail

This item appears in

Show simple record