| dc.contributor.author | Stewart, Jean | |
| dc.date.accessioned | 2013-10-21T00:48:42Z | |
| dc.date.available | 2013-10-21T00:48:42Z | |
| dc.date.issued | 2012 | en_NZ |
| dc.identifier.uri | https://hdl.handle.net/10652/2340 | |
| dc.description.abstract | Embedded within both the process and the finished works is the notion of the everyday. These paintings are painted in the garage and constructed from things left over from everyday life or within reach of the subject matter, i.e. available to someone experiencing the early stages of motherhood. The effect is that the paintings begin to operate as an extension to daily life rather then being separate from it. To imply meaning within these basic assemblages is to apply meaning to daily life. | en_NZ |
| dc.language.iso | en | en_NZ |
| dc.subject | narrative in painting | en_NZ |
| dc.subject | Jean Stewart | en_NZ |
| dc.subject | theories of the everyday | en_NZ |
| dc.subject | still life | en_NZ |
| dc.subject | painting methodology | en_NZ |
| dc.title | The nuances of human stories and the language of paint | en_NZ |
| dc.title.alternative | Research question : How can a painting effectively describe the nuances of daily life through formal painterly concerns? | en_NZ |
| dc.type | Masters Thesis | en_NZ |
| thesis.degree.name | Master of Design | en_NZ |
| thesis.degree.level | Masters | en_NZ |
| thesis.degree.grantor | Unitec Institute of Technology | en_NZ |
| dc.subject.marsden | 190502 Fine Arts (incl. Sculpture and Painting) | en_NZ |
| dc.identifier.bibliographicCitation | Stewart, J. (2012). The nuances of human stories and the language of paint. (Unpublished document submitted in partial fulfilment of the requirements for the degree of Master of Design). Unitec Institute of Technology. Retrieved from https://hdl.handle.net/10652/2340 | en |
| unitec.pages | 50 | en_NZ |
| unitec.advisor.principal | Fahey, Richard | |
| unitec.advisor.associated | Grieve, Fiona | |
