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dc.contributor.authorStewart, Jean
dc.date.accessioned2013-10-21T00:48:42Z
dc.date.available2013-10-21T00:48:42Z
dc.date.issued2012en_NZ
dc.identifier.urihttps://hdl.handle.net/10652/2340
dc.description.abstractEmbedded within both the process and the finished works is the notion of the everyday. These paintings are painted in the garage and constructed from things left over from everyday life or within reach of the subject matter, i.e. available to someone experiencing the early stages of motherhood. The effect is that the paintings begin to operate as an extension to daily life rather then being separate from it. To imply meaning within these basic assemblages is to apply meaning to daily life.en_NZ
dc.language.isoenen_NZ
dc.subjectnarrative in paintingen_NZ
dc.subjectJean Stewarten_NZ
dc.subjecttheories of the everydayen_NZ
dc.subjectstill lifeen_NZ
dc.subjectpainting methodologyen_NZ
dc.titleThe nuances of human stories and the language of painten_NZ
dc.title.alternativeResearch question : How can a painting effectively describe the nuances of daily life through formal painterly concerns?en_NZ
dc.typeMasters Thesisen_NZ
thesis.degree.nameMaster of Designen_NZ
thesis.degree.levelMastersen_NZ
thesis.degree.grantorUnitec Institute of Technologyen_NZ
dc.subject.marsden190502 Fine Arts (incl. Sculpture and Painting)en_NZ
dc.identifier.bibliographicCitationStewart, J. (2012). The nuances of human stories and the language of paint. (Unpublished document submitted in partial fulfilment of the requirements for the degree of Master of Design). Unitec Institute of Technology. Retrieved from https://hdl.handle.net/10652/2340en
unitec.pages50en_NZ
unitec.advisor.principalFahey, Richard
unitec.advisor.associatedGrieve, Fiona


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