Browsing Performing and Screen Arts Conference Papers by Type of Research "Conference Contribution - Oral Presentation"
Now showing items 1-11 of 11
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ALI EAST : an agent for change - a legacy of dance education in Aotearoa
(2019-11-16)I’m going to set a scene and tell a story that begins over 30 years ago. I tell this on the back of a celebration of 30 years of contemporary dance training in Auckland just this week. The Unitec students Showcase honoured ... -
An analysis of Interiors for string quartet and the influence of Scelsi's sonorist aesthetic.
(The Author, 2014)This presentation discusses my recent compositional interests through analysis of Interiors (2012) for string quartet and the influence of Giacinto Scelsi’s sonorist aesthetic. The central focus of Interiors is to create ... -
Because the internet : re-framing film school for the 21st century
(Mobile Innovation Network & Association (MINA, Australia) & University of Nottingham (Ningbo, China), 2020-01-18)This research argues for a fundamental re-imagining of screen education. Once upon a time, motion pictures were destined solely for the cinema. But developments over the past few decades have ushered us into an era of ... -
Collaboration and the Poutasi Project : it takes a village to create a documentary film
(2014-12)The South Pacific has a long history of colonisers and outsiders imposing their own projections and viewpoints upon the different island nations, rather than seeking a perspective that is authentically engaged with the ... -
Disseminating Chinese music in New Zealand : Jack Body and China, 1985-2015
(2015-11)Despite the early presence of Chinese music in the Antipodes in the 1860s, as evidenced by the musical activities of Cantonese miners in the goldfields of Otago, the active dissemination of China’s rich and diverse musical ... -
‘Here is my space; the nobleness of life is to do thus’: democratizing performance and emboding presence at the Pop-up Globe Theatre in Auckland.
(2020-06)This paper considers elemental, performative, and spatial opportunities available to actors, directors, and audience in the construction of performance on the open-air stage. This stems from reflection and evidence gained ... -
How to start a creative (r)evolution. empowering women, growing artists, and reclaiming the real through live performance
(2019-11-18)Every two years, the multi-media show Tarnished Frocks & Divas employs ‘used’ objects, garments, and at the centre, women’s bodies to challenge assumed realities, and to bring to life the essence of different narrative ... -
‘SHARP’ skills : the need for creativity for tomorrow’s learners
(2019-10)Now, perhaps more than ever, the world needs creativity and the complete set of attributes that traditionally lie in the creative sector. All sectors are being asked to find fast alternative solutions to both new and age-old ... -
Storytelling around the 21st century fireside : using filmic storytelling and world-building concepts to connect with media savvy audiences
(2016-08)The purpose of this session today is not to bemoan the fragmentation of television and film. I love the fact that we all get to watch what we want, when we want it. The world is very different than at the time of ... -
Te reo kiriti : when Euripides speaks Maori. Intercultural collaborative practice as instinctive teaching methodology
(2016-12)This paper takes the form of a report on an artistic project [a Māori Bacchae] and the task I have been given bring matauranga Maori into mainstream tertiary teaching of our department, of performing and screen arts at ... -
Wang Guangqi 王光祈: the man who introduced the Berlin School of Comparative Musicology to China
(2017-03)Wang Guangqi 王光祈 (1892-1936) was a man of many achievements. A student of international law, he had already achived national prominence as an influential social activist, a charismatic youth leader, an acute journalist, ...
