• ADA MESH CITIES: Network, Space and Memory in the transitional city 

      Joyce, Zita; Ballard, Su; McCaw, Caroline; Smith, Vicki; Lane, Trudy; Clothier, Ian; Randerson, Janine; Butt, Danny; Joyce, Zita (ISEA International, 2013)
      In the aftermath of the 2010 and 2011 earthquakes, Christchurch, New Zealand is framed as a ‘transitional’ city, moving from its demolished past to a speculative future. The ADA Mesh Cities project asks what role media art ...
    • Architectural Notation and the Body Condition: Tracking the dance of E1027 

      Hedges, Susan (2009)
      This paper will explore two modernists pieces, one a ballet, Oskar Schlemmer’s The Triadic Ballet and the other a small holiday house on the Cote d’Azur, Eileen Gray’s E1027. I would like to suggest that the notated ...
    • Cloud Music : a cloud system 

      Randerson, Janine (ISEA International, 2013)
      This paper suggests that artworks such as Yoko Ono’s Sky TV (1966), Hans Haacke’s Condensation Cube (1963-65), and David Behrman, Robert Watts and Bob Diamond’s Cloud Music (1974-79) are ancestors to a significant strand ...
    • Design and Build to Destroy - Rachel Whiteread's Untitled (Room) and its Representations 

      Carley, Rachel (2012)
      The British sculptor Rachel Whiteread (b.1963) employs her signature casting practice to render negative space as solid, positive form. Untitled (Room), 1993, was cast from a freestanding model of a room designed by the ...
    • The emptying out and the abstracted detail 

      Hedges, Susan (2012)
      This paper considers the drawn detail as a means of archiving the interior not in terms of the familiar fullness or comfort but rather through the idea of absence and emptiness. Empty drawn details could be understood ...
    • The everyday collective laboratory. 

      Woodruffe, Paul (2010-09-15)
    • The future of technological advancements in public art 

      Tan, Leon (Western States Arts Federation (Denver, Colorado), 2017-11)
      My talk is called “The Potential for Public Art in the Digital Near Future.” I just want to say near future, so we're not thinking 20 to 30 years ahead. Over the last two decades, I think it is fair to say that lots of ...
    • Industrial poetry 

      Woodruffe, Paul (2010-09-15)
      One of the great opportunities that increased access to technologies and information has brought, is interdisciplinary practice between the fine arts and industrial design.As a student, these two pathways had at first ...
    • Interference: the restless drawing 

      Hedges, Susan (2012)
      This paper discusses a running interference that can be created through shifting a drawing from the analogue to the digital in a series of first year student works produced in the Interior Design pathway at the Unitec ...
    • Milan 2033 : seeds of the future 

      Trapani, Paola (2014-05)
      In 2013, the Politecnico di Milano celebrates its 150th anniversary. The closing event scheduled is a major exhibition at the Triennale di Milano, entitled Milano 2033. Seeds of the future. On this occasion, the University ...
    • Pocket auteurs : student uptake of an international collaboration in wireless moviemaking 

      Wagner, Daniel (International Technology, Education and Development (INTED), 2013)
      In March 2012, students in New Zealand, England and France teamed-up (virtually) to create globisodes (globally-constructed movies shot on mobile phones). Employing Web 2 platforms to collaborate across both space and time, ...
    • Towards Assessment Transparency: Following on from 'The Crit', can a student's learning be enhanced by allowing them to witness their own formative and summative assessment event? 

      Rennie, Julian (The University of South Australia, 2013)
      The Design school critique: the Crit, remains a unique event, not only in the display and discussion generated by the student responses to the same Brief, but also from the airing of many and varied opinions of all present ...
    • The Whakarare Typeface Project : when culture-specific design brings elements of universal value 

      Witehira, Johnson; Trapani, Paola (Cumulus - International Association of Universities and Colleges of Art, Design and Media, 2015-11)
      This paper presents a reflection on the design of the Whakarare typeface created by Johnson Witehira, a Māori visual designer. In this research Witehira was interested in exploring two areas of inquiry: customary Māori ...