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dc.contributor.advisorAllison, Fran
dc.contributor.advisorBarnett, Cassandra
dc.contributor.advisorMeek, Kim
dc.contributor.authorBell, Rachel A.
dc.date.accessioned2012-08-05T23:59:27Z
dc.date.available2012-08-05T23:59:27Z
dc.date.issued2012en_NZ
dc.identifier.urihttp://hdl.handle.net/10652/1914
dc.description.abstractA Masters of Design by Research project that asks the question: “How can materials and histories be linked by a methodology of making that utilises fragmentation and the found?” Focussed primarily on the production of contemporary jewellery, the project explores material and theoretical concerns surrounding the use of found materials, the ability of materials to carry meaning and hints of purpose, and the way in which processes of fragmentation can help or hinder the reading of those meanings and purposes. Fragmentation can also be considered as a current state of the human condition. Historical and current jewellery practices are investigated, as well as wider critical and art theories pertaining to the given fields of investigation.en_NZ
dc.language.isoenen_NZ
dc.subjectJewelleryen_NZ
dc.subjectFound materialsen_NZ
dc.subjectFragmentationen_NZ
dc.titleFragmentation and the found in the production of contemporary jewelleryen_NZ
dc.typeMasters Thesisen_NZ
thesis.degree.nameMaster of Designen_NZ
thesis.degree.grantorUnitec Institute of Technologyen_NZ
dc.subject.marsden190501 Craftsen_NZ
unitec.pages62en_NZ
dc.contributor.affiliationUnitec Institute of Technologyen_NZ


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