Research Bank

Design and Visual Arts Conference Papers

Unitec Research Bank

Design and Visual Arts Conference Papers

 

Recent Submissions

  • Wagner, Daniel (International Technology, Education and Development Conference (7th), 2013)
    In March 2012, students in New Zealand, England and France teamed-up (virtually) to create globisodes (globally-constructed movies shot on mobile phones). Employing Web 2 platforms to collaborate across both space and time, ...
  • Randerson, Janine (Proceedings of the 19th International Symposium of Electronic Art, ISEA2013, Sydney, 2013)
    This paper suggests that artworks such as Yoko Ono’s Sky TV (1966), Hans Haacke’s Condensation Cube (1963-65), and David Behrman, Robert Watts and Bob Diamond’s Cloud Music (1974-79) are ancestors to a significant strand ...
  • Joyce, Zita; Ballard, Su; McCaw, Caroline; Smith, Vicki; Lane, Trudy; Clothier, Ian; Randerson, Janine; Butt, Danny; Joyce, Zita (Proceedings of the 19th International Symposium of Electronic Art, ISEA2013, Sydney, 2013)
    In the aftermath of the 2010 and 2011 earthquakes, Christchurch, New Zealand is framed as a ‘transitional’ city, moving from its demolished past to a speculative future. The ADA Mesh Cities project asks what role media art ...
  • Rennie, Julian (Critique 2013: An International Conference Reflecting on Creative Practice in Art, Architecture, and Design, 2013)
    The Design school critique: the Crit, remains a unique event, not only in the display and discussion generated by the student responses to the same Brief, but also from the airing of many and varied opinions of all present ...
  • Downie, Julie (The Auckland Festival of Photography, 2013)
    The Evocative Object: why objects matter is an exhibition based upon the idea that objects matter to us – but what makes an object evocative may not necessarily be about value, use, aesthetics or ownership. This is a ...
  • Hedges, Susan (OCCUPATION: Negotiations with Constructed Space. University of Brighton – School of Architecture and Design: Interior Architecture and Urban Studies Programme, 2009)
    This paper will explore two modernists pieces, one a ballet, Oskar Schlemmer’s The Triadic Ballet and the other a small holiday house on the Cote d’Azur, Eileen Gray’s E1027. I would like to suggest that the notated ...
  • Hedges, Susan (2012)
    This paper discusses a running interference that can be created through shifting a drawing from the analogue to the digital in a series of first year student works produced in the Interior Design pathway at the Unitec ...
  • Hedges, Susan (29th Annual SAHANZ Conference, 2012)
    This paper considers the drawn detail as a means of archiving the interior not in terms of the familiar fullness or comfort but rather through the idea of absence and emptiness. Empty drawn details could be understood ...
  • Carley, Rachel (Interior: A State of Becoming. Symposium Proceedings, 2012)
    The British sculptor Rachel Whiteread (b.1963) employs her signature casting practice to render negative space as solid, positive form. Untitled (Room), 1993, was cast from a freestanding model of a room designed by the ...
  • Hedges, Susan (Imagining...: 27th Annual International Conference of the Society of Architectural Historians, Australia and New Zealand, 2010)
    ‘… and I think that, setting out from there, I will put together, piece by piece, the perfect city, made of fragments mixed with the rest, of instants separated by intervals, of signals one sends out, not knowing who ...
  • Woodruffe, Paul (Cumulus 38ºSouth: hemispheric shifts across learning, teaching and research, 2010)
    One of the great opportunities that increased access to technologies and information has brought, is interdisciplinary practice between the fine arts and industrial design.As a student, these two pathways had at first ...
  • Woodruffe, Paul (Cumulus Borderline, 2010)

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